I was going to recommend Hartman’s Seraphina, but considering how I gushed over it in a review yesterday, I think I will shine the spotlight on something else. Several titles came to mind: The Colour of Magic, Shadow & Bone, Harry Potter (a no-brainer), Divergent, Legend, and the list carries on. As always, I waver back and forth between options, so which book did I finally settle on as a recommendation?
Miss Peregrine’s Home for Peculiar Children by Ransom Riggs
Published June 7th, 2011 | Quirk Books
Young Adult Fantasy
A mysterious island. An abandoned orphanage. A strange collection of very curious photographs.
It all waits to be discovered in Miss Peregrine’s Home for Peculiar Children, an unforgettable novel that mixes fiction and photography in a thrilling reading experience. As our story opens, a horrific family tragedy sets sixteen-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the crumbling ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. They may have been quarantined on a deserted island for good reason. And somehow—impossible though it seems—they may still be alive.
A spine-tingling fantasy illustrated with haunting vintage photography, Miss Peregrine’s Home for Peculiar Children will delight adults, teens, and anyone who relishes an adventure in the shadows.
I acknowledge that Riggs’s book is not for everyone. Varying opinions surround the photographs, which work in conjunction with the story-telling. These pictures are considered unnecessary, a poor construct way to build plot, or they simply aren’t “scary.” (If anything, I find the photographs serve as interesting (but not scary) visual aids, finely tied to the text. I have no issues with them.) For the record: I do see several faulty areas in the writing, places that I believe — had they been revised more — could have made a leap of improvement (such as the conclusion). I’d prefer to see a stronger foundation from which the story’s framework is built — a neater wrap-up of a novel, if you will.
At the start, Riggs succeeded to enmesh me into Jacob’s suspense and fear. This thrill, I thought, would last — it would remain a key factor in the story’s progression. Alas! That exciting rush and prickling unease subside, as Jacob’s journey becomes one of steadily paced intrigue. Where I think much disappointment stems from is how Riggs’s novel is showcased: “spine-tingling fantasy!” it says. I disagree, but that does not make this book any less interesting or worth checking out. I found myself absorbed into the characters, and I calmly anticipate book two (expected publication: 2o13). There are whispers of a film adaption as well!
We answered with a cry of our own, both a victory yell and a lament, for everything lost and yet to be gained.